A widely used concept in the field of contemporary art, intervention usually stands for interference, manipulation and interaction between oeuvre and audience.
- Usability Professionals - Tagungsband by German UPA e.V. - Issuu.
- Einsatz von audiovisuellen Medien im Religionsunterricht - Der Film (German Edition)!
- Pictorial Law?
Die Auswahl der Werke umfasst Formate wie Video-Skulptur oder Videokunst, aber auch Videoinstallation, audiovisuelle oder interaktive Installation und Klanginstallation. The Project digital art conservation. Are you born-digital? This could be the ultimate, decisive question in the future when it comes to preserving and making the art of our time accessible for future generations.
85. Newsletter Fremdsprachen des Landesinstituts für Pädagogik und Medien (Saarbrücken)
The book presents the results of the digital art conservation project that was conceived at the ZKM Center for Art and Media Karlsruhe in It includes text contributions by major theorists, restorers, programmers, and artists as well as case studies. It is designed to foster the international debate on the conservation of digital art. Das Projekt digital art conservation. Le Projet digital art conservation. Neckar-Vlg Sammelmappe 24,5 x 32,5 cm, inkl. Meisterwerke der Medienkunst Marc Lee geb.
The gateways catalogue introduces artists whose works deal with the changed conditions of an interconnected world that increasingly is influenced by media. The exhibition gateways.
Art and Networked Culture introduces a young generation of artists whose work deals with the changing conditions of a networked world — a world increasingly transmitted through media. The artistic works presented here use various means to tackle the theme of gateways that lead to realms of action and experience in our digitally interconnected culture. Through their use of electronic networks and mobile technologies, the artists encourage the public to participate actively and transport new experiences in perception.
Artists 10 Herbert W. Soll sie zu Revolutionen anstiften und Menschen dazu bewegen, sich zur Wehr zu setzen? Hildegard Fraueneder, geboren , Kunstwissenschaftlerin und Ausstellungskuratorin. Leiterin der Galerie in Salzburg. Gianni Stiletto, geboren , freier Komponist und Keyboarder.
In the publication Owning Online Art — Selling and Collecting Netbased Artworks, art historians discuss the critical positioning of selected works of net art Rachel Mader and approach questions on the relationship between internet art and the art market from the standpoint of the history of media Peter Schneemann. Using the example of specific works, artists discuss aspects of the materiality of net-based art Markus Schwander and reflect on their experience with curators and collectors, as well as with the issues of the commercialisation and conservation of net art Olia Lialina, Carlo Zanni.
Our research partner, the AktiveArchive project contributed its expertise in the areas of documentation, conservation and restoration of electronic art and discussed solutions for the restoration of net-based works Tabea Lurk. A number of different economies can be applied to the issue of the relationship between net-based art and the art market: the economies of the market, of novelty and of recognition Simon Grand , as well as aspects of the economy of free, immaterial products Felix Stalder.
The text section closes with the answers of the 17 international artists to the questionnaire sent out by the OOA research project. Publication of the research contributions is available in four formats. The decision towards this variety is linked to the object of investigation of our research project in the field of online culture: We want to test established and new publication formats for their benefits for research publications.
Scientific partners Dr. Rachel Mader University of Berne , Prof. Peter Schneemann University of Berne , Dr. Felix Stalder ZHdK. They can act as artists, curators and producers. Visitors to the exhibition are central as users, as emancipated consumers. YOU are the content in this exhibition!
do not listen with half an ear
YOU are the user of the world and part of the world, and with that a participant in the world. Whoever is a part of the world also bears some responsibility for the world, of which they are a part. Through their participation, the YOU, the user, has the chance to change the world. In the most technologically advanced environments and installations, the most recent state of the art of participation, pARTicipation, is being shown. That reinforces that tendency, which becomes established in the spirit of the enlightenment for democracy, for untrammelled access to education for all and for the creativity of all.
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In the global context of the information and communication society, the Biacs3 will make a new map of Global Art, World Art, addressing the specific aspect of media, environment and technology. Under the title youniverse, the Biennial of Seville will show how contemporary art worldwide has changed through the influence of media, technology, science and architecture by fostering one main goal: the participation of the public and a new equation between man and his environment.
The creations of the selected artists approximately works will revolve around mobility, individualisation through technologies, quantum physics, nanotechnology, hydraulic engineering, architecture and the environment. One aspect will be to show that technology as man-made nature can help to solve our problems with natural environments. The other aspect will be the democratization of art. The audience, rather than the artists, is the star. Spain , Immaterial museum. Andrei Ujica Rumania , Out of the Present, Antonio Barrese Italia , Zeus playing, Archigram Peter Cook. Archizoom Andrea Branzi.
Italia , No-Stop-City, Digital animation. Bas Princen Holland , Birdwatchers, Bose Krishnamachari India , Ghost: Transmemoir.
Catherine Ikam France , Yoona 1, David, Depuis, Sound-light sculpture. Interactive installation. Claude Parent France , Oblique Potentialism.
Spain , Media-Tic Building, Coop Himmelb l au Austria , Villa Rosa, STEMCloud, BIACS production. France , Ex — lles, Italia , Animal Pharm, Emergent Architecture Tom Wiscombe. France , Chair model, Gianni Pettena Italia , Wearable Chairs, Gregor Eichinger Austria , Urbar, installation.
Interactive Sound Installation. Gonzalo Puch Spain , Sin titulo, Hiraki Sawa Japan , Eight Minutes, Inhere, Holland , Cell Phone Disco, France , Maison H, Portrait to Smile Once a Year, Jones Partners Architecture Wes Jones. Jordan Wolfson USA. Site-Specific installation. Juan Carlos Robles Spain , Volker, Jurgen Mayer H. Germany , Metropol Parasol, USA , Inversabrane, Site-specific installation.
Manolo Bautista Spain , Diamond Motel. Martin Walde Austria , Production Limits. Masaki Fujihata Japan , Beyond Pages, USA , Beast, Spain , Plaza de las Libertades. Michael Sailstorfer Germany , Sternschnuppe, NOX Lars Spuybroek. Holland , Pavillon H2O, Oh Yong-Seok Korea , Drama, Oliver van der Berg Germany , Kameras, Sternenprojektor, Holland , Portals, Madrid, Spain , Civil Registry Office, A Light Rain, PIPS: Lab collective. Holland , Luma2solator, Caja de sombras 2. Accelerator, Prayer Wheel, Rosalie Germany , Helios, France , Dusty relief, Bangkok, France , Akousmaflore, USA , Spoorg, Metal Desk, Metal Motorcycle, Shilpa Gupta India , Untitled, Interactive video-projection.
Stephan von Huene EE. SunMyoung Choi Korea , Evidence of the invisible 1. Video- projection. Tim Macmillan Germany , Ferment.
Tom Kovac Australia , Visualising the virtual concourse, Tom Verebes U. Luminous system, installation. Wolfgang Munch Germany , Bubbles, Ai Ran Kang Korea , Digital book. Video intallation. Video projection. Dave Griffiths UK , Aljazari, Eli Gur Arie Israel , Untitled, Hand, Untitled, Monitored Feeding Station, UVA, Perfume Pedestal, Arctic Spring, Disposable incubator, Eugenio Ampudia Spain , En Juego, Kim Shin-il Korea , Water.
Sangkyoon Noh Korea , One End. Another End. Double End. The New End. What are You Looking for. WAYLF — me — pink. L-Algorithm , Interactive sculpture. Digital video. Tire sculpture.
Einsatz von audiovisuellen Medien im Religionsunterricht - Der Film (German Edition)
Media art is one of the most exciting experimental fields to emerge in contemporary art in recent years—and yet its innovations have been sparsely documented. Media Arts Zurich, the third yearbook published by the Department New Media at the newly founded Zurich University of the Arts, seeks to fill this gap, offering an illuminating overview of the Swiss media art scene of the past decade. This book examines the varying approaches, techniques, and strategies of acclaimed media artists as well as the public reception of their work.
Accompanied by a companion DVD in PAL format and lavish illustrations, this volume presents thirteen individual artists and groups in the context of their backgrounds, exhibitions, and the state of European media art. Two essays by art and media historians here position these Swiss media artists in the international art world and document the first ten years and visions for the future of the media art program at the Zurich University of the Arts and its predecessor, the School of Art and Design Zurich.
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